{"id":21495,"date":"2022-04-19T16:00:45","date_gmt":"2022-04-19T13:00:45","guid":{"rendered":"https:\/\/hippolyte.fi\/?p=21495"},"modified":"2022-04-20T11:37:06","modified_gmt":"2022-04-20T08:37:06","slug":"the-photobook-award-2021-will-be-exceptionally-shared-by-two-photographic-art-books-sheung-yius-ground-truth-and-elina-brotherus-seabound-a-logbook","status":"publish","type":"post","link":"https:\/\/hippolyte.fi\/en\/2022\/04\/19\/the-photobook-award-2021-will-be-exceptionally-shared-by-two-photographic-art-books-sheung-yius-ground-truth-and-elina-brotherus-seabound-a-logbook\/","title":{"rendered":"The Photobook Award 2021 will be exceptionally shared by two photographic art books: Sheung Yiu\u2019s \u201cGround Truth\u201d and Elina Brotherus\u2019 \u201cSeabound. A logbook\u201d"},"content":{"rendered":"<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/hippolyte.fi\/en\/\"><strong>The Association of Photographic Artists<\/strong><\/a> and the <a href=\"https:\/\/www.valokuvataiteenmuseo.fi\/en\"><strong>Finnish Museum of Photography<\/strong><\/a> have granted the Photobook Award 2021 prize to <strong>Sheung Yiu<\/strong>\u2019s <\/span><i><span style=\"font-weight: 400;\">Ground Truth<\/span><\/i><span style=\"font-weight: 400;\"> and <strong>Elina Brotherus<\/strong>\u2019s <\/span><i><span style=\"font-weight: 400;\">Seabound. A logbook.<\/span><\/i> <span style=\"font-weight: 400;\">The award is granted annually to an exceptional fine art photographic book. The winning prize is worth 2,000 \u20ac \u2013 1,000 \u20ac for each winner \u2013, and the other finalists receive 500 \u20ac.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThis year, the prize is shared by two artists in different stages of their careers and with very different approaches to their artistic practice. The two winning books demonstrate that the photographic book as a genre allows the artist to approach their topic very freely, and also to question the conventions of bookmaking,\u201d notes Henna Harri, the Director of the Association of Photographic Artists.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The winners were chosen by <strong>paula roush<\/strong>, a London-based photographic artist and founder of the <a href=\"https:\/\/www.msdm.org.uk\/\"><strong>msdm house-studio-gallery<\/strong><\/a>. Exceptionally, roush selected two winners among the five finalists. The other finalists were <strong>Laura Horelli<\/strong>\u2019s <\/span><i><span style=\"font-weight: 400;\">Changes in Direction. A Journal<\/span><\/i><span style=\"font-weight: 400;\">, <strong>Marko H\u00e4m\u00e4l\u00e4inen<\/strong>\u2019s <\/span><i><span style=\"font-weight: 400;\">Silence moves with the wind <\/span><\/i><span style=\"font-weight: 400;\">and <strong>Niko Luoma<\/strong>\u2019s <\/span><i><span style=\"font-weight: 400;\">For Each Minute \u2013 Sixty-five Seconds<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">roush explains that she used five anchors in her appreciation of the short-listed books and selection of the winners: photographic collection, story-showing, photo-text relationship, haptic-mode, and visual structure. According to roush, selecting a single winner among five outstanding finalists was a tough process \u2013 one which has prompted her to give a special mention to each short-listed book, as well as award the top prize to two publications.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">roush describes the winning books by Sheung Yiu and Elina Brotherus as \u201ctwo books about our relationship to the world \u2013 forest\/sea \u2013 relying on playful, affective and experiential modes of knowing place.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sheung Yiu (b. 1991) is a Hong-Kong-born photographer, researcher and writer based in Helsinki. He is a Doctoral Candidate at Aalto University\u2019s School of Arts, Design and Architecture. Elina Brotherus (b. 1972) is a distinguished photographic artist based in Helsinki and Avallon in France. Her latest significant exhibition\u00a0 was a joint presentation\u00a0 with Hannele Rantala at the Ateneum Art Museum this spring (<\/span><i><span style=\"font-weight: 400;\">Dialogue<\/span><\/i><span style=\"font-weight: 400;\">, 2022).\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sheung Yiu\u2019s <\/span><i><span style=\"font-weight: 400;\">Ground Truth<\/span><\/i><span style=\"font-weight: 400;\"> draws upon the tradition of landscape photography from multiple perspectives. Yiu travels through woodlands with forestry researchers and, as a photographer, considers the relationship between traditional photography and the current phenomena of visual technologies. Within the book\u2019s pages, the tradition of photography\u2013represented by a pull-out supplement of the landscape photography textbook <\/span><i><span style=\"font-weight: 400;\">The Art of Scenic Photography<\/span><\/i><span style=\"font-weight: 400;\"> (1982)\u2013is placed into dialogue with the contemporary data modelling of forests. Today, data from aerial photographs is used to assess forest growth; but, as Yiu is keen to point out, this alone is not enough. \u2018Reading\u2019 aerial images requires field studies by scientists in the forest: their physical presence, sweat, and measuring equipment are all entwined with the data used to produce mathematical models of forests and their growth patterns. paula roush, who selected the book, reflects that <\/span><i><span style=\"font-weight: 400;\">Ground Truth<\/span><\/i><span style=\"font-weight: 400;\"> raises questions about the survival of forests in the midst of the current\u2013and human-induced\u2013ecological crisis.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Elina Brotherus\u2019s <\/span><i><span style=\"font-weight: 400;\">Seabound. A Logbook<\/span><\/i><span style=\"font-weight: 400;\"> comprises photographs taken in Kristiansand, Norway, over a period of two years. In addition to the sea and its surrounding landscape, the photographer&#8217;s starting points were a local museum&#8217;s historical landscape paintings and event scores by conceptual artists Kurt Johannesen, Yoko Ono and John Baldessari. The photographic segments of the publication are complemented by a logbook which maps out everyday moments, along with details of scenes to be photographed. paula roush, who chose <\/span><i><span style=\"font-weight: 400;\">Seabound. A Logbook <\/span><\/i><span style=\"font-weight: 400;\">as one of this year\u2019s winners, invites future readers to: \u201cTake this book to sea. Place it between two stones. Go deep into its pages. Close your eyes.&#8221;<\/span><\/p>\n<p>Read more on the <a href=\"https:\/\/photobookaward.fi\/\">website of the <strong>Photobook Award<\/strong>,<\/a> where you can also find paula roush&#8217;s essay about the process of choosing the winners.<\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">Note: the artistic name of paula roush is intentionally written in lowercase at the artist\u2019s request.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">Image: Minna Kurjenluoma<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Association of Photographic Artists and the Finnish Museum of Photography have granted the Photobook Award 2021 prize to Sheung Yiu\u2019s Ground Truth and Elina Brotherus\u2019s Seabound. A logbook. The award is granted annually to an exceptional fine art photographic book. The winning prize is worth 2,000 \u20ac \u2013 1,000 \u20ac for each winner \u2013, [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":21364,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-21495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/posts\/21495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/comments?post=21495"}],"version-history":[{"count":3,"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/posts\/21495\/revisions"}],"predecessor-version":[{"id":21507,"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/posts\/21495\/revisions\/21507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/media\/21364"}],"wp:attachment":[{"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/media?parent=21495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/categories?post=21495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hippolyte.fi\/en\/wp-json\/wp\/v2\/tags?post=21495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}